Dublin no events posted in last week
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The post The Jobs Bloodbath is Only Just Beginning appeared first on The Daily Sceptic.
The Grooming Gangs Scandal is the Tip of the Iceberg of Public Sector Failure Wed Jan 08, 2025 13:00 | Dr Rowena Slope The grooming gangs scandal has horrors all of its own. But it's also the tip of the iceberg when it comes to public sector failure, where managerial bureaucracy has killed compassion and common sense, says Dr Rowena Slope.
The post The Grooming Gangs Scandal is the Tip of the Iceberg of Public Sector Failure appeared first on The Daily Sceptic.
Keir Starmer Will Order Labour MPs to Block Grooming Gangs Inquiry in Parliament Today Wed Jan 08, 2025 11:11 | Will Jones Keir Starmer is set to block a national inquiry into child grooming gangs in Parliament today, ordering his MPs to oppose an amendment tabled by Tory leader Kemi Badenoch that would trigger a new official inquiry.
The post Keir Starmer Will Order Labour MPs to Block Grooming Gangs Inquiry in Parliament Today appeared first on The Daily Sceptic.
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The post Declined: Chapter Three: “Papers, Please!” appeared first on The Daily Sceptic.
The Psychoses of the Established Political Parties Wed Jan 08, 2025 07:00 | James Alexander The Labour party suffers from a psychosis of not having any ideas of its own from later then 1890. The Conservative Party psychosis is the compulsion to 'dish the Whigs'. That's English politics, says Prof James Alexander.
The post The Psychoses of the Established Political Parties appeared first on The Daily Sceptic. Lockdown Skeptics >>
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Sara Barker "Plant Dreaming Deep"
dublin |
arts and media |
press release
Thursday July 30, 2009 12:31 by Andrew Carson - FOUR info at fourdublin dot com 119 Capel St., Dublin 1 +353 (01) 872 9315
FOUR presents new work
Curated by Aoife Tunney
Opening: Friday 7 August 2009 6-8pm
Exhibition continues from 8 August–1 September 2009
Opening Hours: Tuesday to Staurday 12-5pm
Sara Barker "Plant Dreaming Deep" For her exhibition at FOUR, Sara Barker will present a precarious sculptural grouping in the gallery, pushing material to a point of fragility and slightness of form.
Sara’s recent work centres on the room as an abstract notion on which to hang an interior state, taking on the attributes of a character- their ‘aloneness and inhibition’, in their own space.
It is with her eye on literary conceptions of ‘room’ that she explores constructs of working and living space in relation to her own private process. The idea of a room is elaborated on as a metaphor for and a symbol of identity and liberation, restriction and conformity. It is a necessary space but with implicit cultural boundaries, and its own incumbent freedoms and limitations.
In recent work, she draws indirectly on the journals of May Sarton:
“I am alone here and ‘the house and I resume old conversations’… The ambience here is order and beauty. That is what frightens me when I am first alone again…I have made an open place for meditation. What if I cannot find myself in it?”
Journal of a Solitude, May Sarton.
In preparing for this show, Sara was drawn to Maeve Brennan’s short stories, particularly the posthumous collection set in Dublin, The Springs of Affection, particularly such apparently simple and direct stories of family life as The Sofa and The Carpet with the Big Pink Roses on It.
From these points of reference and interest, Sara applies a formal and regulatory structure: a routine within her practice.
Rather than the illustrative, Sara inspires individual perception, memory and influence, by way of a 'painterly' shift from the real.
Recent exhibitions include The Actuality of the Idea, Modern Art, London and Base: Object, Andrea Rosen Gallery, New York. Sara has recently completed the Rome residency at the British School at Rome, and is represented by Mary Mary, Glasgow.
FOUR is supported by the Arts Council of Ireland and Dublin City Council.
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